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In 1990, the review over the exhibits showed valid key points in regards to the critic's concerns and that there were changes being made to expand the overall effects of the culture and society significance. As Harwit was speaking about the exhibit deserved to be on display as an artifact of history others began to question and closely pronounce the trouble that it was not for that simple idea but to moralize nuclear warfare.
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This is where the controversy really heated up. “We are in a business of confronting and learning from history not to suppress it.the applicable way for a national museum who deals with space flight brings our information that allows one to decide on the issues.” I n 1989, NASM began a tour that lasted sixteen-months of panels, lectures, exhibits to network and gather for their exhibit of the Ebola Gay. Together as Harwit settled into his position over the years he and Adams began planning the exhibit with the refurbished Enola Gay also reaching out to veterans while articulating that their philosophy and the role the exhibit plays for the Smithsonian is presenting “history”, pure and simple history. “The Enola Gay will be displayed in a setting that will recall the history of strategic bombing in World War II.” As Harwit moved in his position and with his proposal and overall idea, Adams was indicating far earlier, that the seriousness of the Smithsonian mission was to tread carefully with artifacts such as the Ebola Gay because there may be some danger that would contribute to judgment of this ongoing proposal. In other words, he wanted to put on display exhibits and topics that would go under “public debates” and one of his visions was to put the Enola Gay up on display. In 1987, NASM brought on a new directory, Martin Harwit, who had a vision that the museum should move in the direction of being a “public conscience”. Between 19, The Smithsonian proposed that the anniversary was important with its mission and philosophy. This begun a vehement controversy over history and its historical narratives. How do we remember a war that we won? On the 50 th anniversary of the ending of World War II, NASM proposed an exhibition that would display the B-29 Ebola Gay, the aircraft that dropped the bomb on Hiroshima.